![]() ![]() As a result, the most significant characteristic of these monitors was that they practically demanded that the team create an excellent, portable mix simply by virtue of their sound. The most important thing for a studio monitor to do is influence the production team to make great recordings and mixes. Many people think the most important thing for a studio monitor to do is to sound great, but that isn't really true. At that distance they exhibit a gentle roll-off on both high and low-end response. But these speakers were designed to be console-top, near-field units. If you could strap a headband on a pair and wear them like headphones you'd have very nice sounding headphones indeed. We actually did that measurement at my facility for fun and verified that claim. If you set a measurement mic up right at the speaker cone and swept the speaker with tones you would get amazingly flat response from 60hz-18khz. These little speakers had the unique advantage that they sported a single full-range driver, ensuring phase accuracy. Console manufacturers were offering "turrets" to hold the Auratones on the top edge of their consoles. To get a reliable mix on the fly all you needed was a pair of Auratones and a Crown DC-75 amp.īy 1980, the 5C Supercube was taking the field by storm. ![]() Their popularity grew to the point that by 1975, wherever you went in the recording world, you would likely find a pair of Auratones on top of the console at any respectable studio. The speaker was designed to be a small reference that an engineer could take anywhere that would always sound the same. It was a six-and-a-half inch, cube-form mixing reference monitor featuring a specially-designed, wide-range, five-inch driver. Dressed in faux walnut veneer, the tiny Auratone Model 5 Cube was born in 1960. In 1958 an intrepid fellow named Jack Wilson founded a little company in Chula Vista, CA, for the purpose of creating recording monitors. Depending on your age and years of experience in recording, you may or may not recall the great little reference monitors called Auratones. Gather around kiddies and you will hear a tale of a little monitor that could: What we have in the pic above is a relatively rare set of Auratone 5RC Super Road Cubes. "Don't know, but it do look like a stout little package, don't it?" The 5C, which became famous in the 1970’s and 80’s and has been used in virtually every major recording studio worldwide, is still the undisputed industry standard for “real world” referencing in the recording studio.ĭurability, flat full-range response, amazing power handling and portability have made Auratones the recording, broadcasting, and motion picture industries favorite reference monitors.Studio Survivors Studio Survivors, March 2016 Our drivers are custom built in the United States, and the enclosures are handcrafted in our Nashville shop along with assembly and testing. Today, Jack Wilson's grandson has decided to take up the Auratone banner again, finding modern manufacturing techniques and new sources to have just what was needed to create the classic sound again.Īfter lengthy testing and re-manufacturing our driver, we were finally able to achieve the purest sound equaling the characteristics of the original 5C Super Sound Cube. When they ceased manufacturing, a hole was left in the market that some have tried, but none have been able to fill. There is a reason why the Auratone 5C Super Sound Cube is a 2016 inductee into the TECnology Hall of Fame! There was always something about Auratone speakers that made them easy to listen to, mix on, and made them translate to just about any small radio or TV speaker on the planet.
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